A trio - a cluster, if you will - of recent movies I’ve had the fortune to watch courtesy of Netflix.
Hollywoodland is one of those I had mixed feelings about going into it. One of the things I love about film noire is the mystery, although I’ll be the first to admit that I don’t always understand the jumps of logic made by the protagonist. To an extent, this film was the same way. It takes place in two times: the first documents George Reeve’s life in Hollywood leading up and beyond his role as Superman; the second depicts Adrian Brody as a sleuth trying to determine who killed Reeves, and why. I don’t want to say too much about the film — despite this post having spoilers, I don’t want a point-by-point telling of the plot — but I will say two things. Diane Lane is hot. And, in the movie’s conclusion, when Reeves puts the gun to his head, saddened at the lack of success in his life, I felt a pang of sympathy — not, mind you, that I’ve ever put a gun to my own head — but that I think I can, at least a bit, understand when you reach a point in your life where it isn’t what you imagined it years earlier. Anyway.
So, another film noire was Brick, this, set in the modern day and in a high school. Yeah, I didn’t expect the kid from Third Rock From The Sun to be good in, um, anything, yet, lo-and-behold! he was (looked a lot like Heath Ledger, too, ladies). It’s all about cliques and drug-dealing and, man, there’s a lot of punching going on (more than I remembered from high school).
The third film is Martin Scorsese’s The Departed, a rather violent movie about the Irish mafia in Boston, the Massachussetts State Police, and the rats in both. I don’t really know what to say about this movie except … it’s good, enjoyable, and rather violent. Also, everyone dies, hence: the title. Y’know, everyone gets “dearly departed”?
